‘Sleep With Your Eyes Open,’ Provided by Rediance, Debuts Trailer

Netflix Genuine “The Society of the Snow” gained best picture and director for J.A. Bayona at Saturday night time time’s thirty eighth Spanish Academy Goya Awards. 

These plaudits have been two of an entire 12 prizes, the third-highest kudos rely for any title inside the Goyas’ near 40-year historic previous.  

The lineup of best picture nominees was, nonetheless, a reminder in itself of the high quality and number of Spain’s current film manufacturing output. These took in Estibaliz’s Urresola Berlin triple winner “20,000 Species of Bees,” David Trueba’s real-life tender love story “Jokes & Cigarettes,” Isabel Coixet’s probing “Un Amor” and Victor Erice’s “Shut Your Eyes,” an “aching ode to film, time and memory,” Choice wrote in its analysis.

Even after Bayona took best director there was nonetheless actual suspense whether or not or not he would moreover win best picture, after best tailor-made screenplay went to “Robotic Objectives” and “Jokes & Cigarettes” took best actor for David Verdaguer.  

Nominated for two U.S. Academy Awards – worldwide attribute film and make-up & hairstyling – “The Society of the Snow” swept the technical awards. That made a much bigger stage: a film broadly praised for its technical verve was made by non-Hollywood technicians, usually Spanish, however moreover, of Goya winners, from Uruguay (DP Pablo Luque) and France (paintings director Alain Bainée).

A extraordinarily simpática Sigourney Weaver accepted specifically individual Spain’s Worldwide Goya Award, to massive applause. “Your nation has produced so many masterpieces, daring, unsettling, unforgettable. After I think about Spanish cinema, not genres. What a pleasure it’s to behave in a film the place even the dolly grip has be taught the script.”   

The Goya Awards have been supplied with élan by veteran thesp-singer Ana Belén and Javier Ambrossi and Javier Calvo, Los Javis, arguably the preferred act in Spain film-TV after “Veneno” and “La Mesías,” the latter the one European sequence chosen for closing month’s Sundance, and now shortly to be seen at Assortment Mania. 

In an additional current of energy of the Spanish and Spanish-speaking cinema, present at this yr’s Goya Awards have been Penélope Cruz and Pedro Almodóvar who celebrated on stage a twenty fifth anniversary reunion of “All About My Mother” strong along with Gael García Bernal, all of whom supplied awards. 

Moreover inside the viewers was Spanish prime minister Pedro Sánchez, who has prioritised film and TV as a improvement sector in Spain, supporting it by a €1.6 billion ($1.7 billion) Spain AVS Plan. 

Threading different speeches was a reputation for an end to sexual abuse inside the Spanish film commerce after three women recently accused director Carlos Vermut of sexual violence, which he denies.  

Presenting best picture, Pedro Almodóvar moreover retorted to declarations made only a few hours earlier by Juan García-Gallardo, the vice-president of Spain’s Castilla y León, member of he extreme correct Vox event, that Spanish filmmakers have been “señoritos” (youthful masters) whose films worth tens of tens of millions to most people purse, nevertheless weren’t watched by anybody.

“We return what we get hold of and much more by paying taxes and social security and as well as create a whole lot of jobs,” Almodóvar talked about. He might even have pointed to Netflix charts which place 4 Spanish movement photos. one “Society of the Snow,” inside the prime 5 most-viewed non-English-language films ever screened by the U.S. streaming massive.

Spanish movement photos moreover now with a certain frequency score prime awards at prime worldwide festivals resembling “20,000 Species of Bees” best lead effectivity (Sofía Otero) at Berlin closing yr. On Saturday, “20,000 Species” ended up with three prizes, along with best first attribute, distinctive screenplay and supporting actress (Ana Gabarain).

Already nominated for a U.S. Academy Oscar, Pablo Berger’s “Robotic Objectives” moreover scored best animation attribute on Saturday night time time. Produced by Chelo Loureiro and Iván Miñambres, “To Chook or To not Chook,” from Alberto Vázquez collaborator Martín Romero and a standout at Cannes Animation Day  

103-year-old Spanish cinematographer Juan Mariné (“Los guardiamarinas”), whose occupation reaches once more to serving as a digital digital camera operator on 1943’s “Eloísa está debajo de un almendro,” obtained 2024’s Honorary Goya.   

2024 38TH GOYA AWARDS

BEST PICTURE

“20,000 Species of Bees,” (Estibaliz Urresola Solaguren)

“Shut Your Eyes,” (Víctor Erice)

“The Society of The Snow,” (J.A. Bayona)

“Jokes & Cigarettes,” (David Trueba)

“Un Amor,” (Isabel Coixet)

BEST DIRECTOR

Víctor Erice (“Shut Your Eyes”)

Elena Martin (“Creatura”)

J.A. Bayona (“The Society of The Snow”)

David Trueba (“Jokes & Cigarettes”)

Isabel Coixet (“Un Amor”)

BEST NEW DIRECTOR

Estibaliz Urresola Solaguren (“20,000 Species of Bees”)

Itsaso Arana (“The Women are Alright”)

Alvaro Gago (“Matria”)

Alejandro Marín – (“I’m Loving You Madly”)

Alejandro Rojas, Juan Sebastian Vasquez (“Upon Entry”)

BEST ACTOR

Manolo Solo (“Shut Your Eyes”)

Enric Auquer (“The Teacher Who Promised the Sea”)

David Verdaguer (“Jokes & Cigarettes”)

Hovik Keuchkerian (“Un Amor”)

Alberto Ammann (“Upon Entry”)

BEST ACTRESS

Patricia Lopez Arnaiz (“20,000 Species of Bees”)

María Vázquez (“Matria”)

Malena Alterio (“One factor Is About To Happen”)

Carolina Yuste (“Jokes & Cigarettes”)

Laia Costa (“Un Amor”) 

BEST SUPPORTING ACTOR

Martxelo Rubio (“20,000 Species of Bees”)

Juan Carlos Vellido (“Beneath Treatment”)

Jose Coronado (“Shut Your Eyes”)

Álex Brendemühl (“Creatura”)

Hugo Silva (“Un Amor”)

BEST SUPPORTING ACTRESS

Ane Gabarain (“20,000 Species of Bees”)

Itziar Lazkano (“20,000 Species of Bees”)

Ana Torrent (“Shut Your Eyes”)

Clara Segura (“Creatura”)

Luisa Gavasa (“The Teacher Who Promised the Sea”) 

BEST NEW ACTOR

Brianeitor (“Championext”

Julio Hu Chen (“Chinas”)

Matías Recalt (“The Society of the Snow”)

La Dani (“I’m Loving You Madly”)

Omar Banana (“I’m Loving You Madly”) 

BEST NEW ACTRESS

Xinyi Ye (“Chinas”)

Yeju Ji (“Chinas”)

Clàudia Malagelada (“Creatura”)

Sara Becker (“The Movie Teller”)

Janet Novás (“The Rye Horn”) 

BEST ORIGINAL SCREENPLAY

Estibaliz Urresola Solaguren (“20,000 Species of Bees”)

Michel Gaztambide, Víctor Erice (“Shut Your Eyes”)

Alejandro Marín, Carmen Garrido (“I’m Loving You Madly”)

Félix Viscarret (“Not Such An Easy Life”)

Alejandro Rojas, Juan Sebastián Vásquez (“Upon Entry”) 

BEST ADAPTED SCREENPLAY

Albert Val (“The Teacher Who Promised the Sea”)

Bernat Vilaplana, J.A. Bayona, Jaime Marques-Olarreaga, Nicolás Casariego (“The Society of The Snow”)

Pablo Berger (“Robotic Objectives”)

Albert Espinosa, David Trueba (“Jokes & Cigarettes”)

Isabel Coixet, Laura Ferrero (“Un Amor”)

BEST ANIMATION FEATURE

“They Shot the Piano Participant,” (Fernando Trueba, Javier Mariscal)

“Sultana’s Dream,” (Isabel Heguera)

“Hanna And The Monsters,” (Lorena Ares)

“Mummies,” (Juan Jesús García Galocha “Galo”)

“Robotic Objectives,” (Pablo Berger)

BEST DOCUMENTARY

“Caleta Palace,” (José Antonio Hergueta)

“Contigo, contigo y sin mí,” (Amaya Villar Navascués)

“This Excessive Ambition,” (Cristina Trenas, Rogelio González, Santos Bacana)

“Iberia, naturaleza infinita,” (Arturo Menor)

“Whereas You’re Nonetheless You,” (Claudia Pinto Emperador)

BEST IBERO-AMERICAN FILM

“Alma Viva,” (Cristele Alves Meira, Portugal)

“My Eternal Memory,” (Maite Alberdi Chile)

“The Fishbowl,” (Glorimar Marrero Sanchez Puerto Rico)

“Puan,” (Benjamín Naishtat, María Alché Argentina)

“Simón,” (Diego Vicentini Venezuela) 

BEST EUROPEAN FILM

“Aftersun,” (Charlotte Wells, United Kingdom)

“Anatomy of a Fall,” (Justine Triet, France)

“The Eight Mountains,” (Felix van Groeningen, Charlotte Vandermeersch, Italy)

“Protected Place,” (Juraj Lerotic, Croatia)

“The Teachers’ Lounge,” (Ilker Çatak, Germany) 

BEST ORIGINAL SCORE

Natasha Arizu, (“The Teacher Who Promised the Sea”)

Arnau Bataller (“La paradoja de Antares”)

Michael Giacchino (“The Society of The Snow”)

Alfonso de Vilallonga (“Robotic Objectives”)

Andrea Motis (“Jokes & Cigarettes”)

BEST ORIGINAL SONG

“Eco,” (Xoel López for “Amigos hasta la muerte”)

“Chinas,” (Marina Herlop for “Chinas”)

“El amor de Andrea,” (Álvaro Benito Baglietto, David “El Indio”, Guille Galván, Jorge González, Juanma Latorre y Pucho (Vetusta Morla), Valeria Castro for “El amor de Andrea”)

“La gallinita,” (Fernando Moresi Haberman, Sergio Bertran for “The Eternal Picture”)

“Yo solo quiero amor,” (Rigoberta Bandini for “I’m Loving You Madly”) 

BEST PRODUCTION DESIGN

Pablo Vidal (“20,000 Species of Bees”)

María José Díez (“Shut Your Eyes”)

Margarita Huguet (“The Society of The Snow”)

Eduard Vallès (“Jokes & Cigarettes”)

Leire Aurrekoetxea, Luis Gutiérrez (“Valle de sombras”) 

BEST CINEMATOGRAPHY

Gina Ferrer García (“20,000 Species of Bees”)

Valentín Álvarez (“Shut Your Eyes”)

Pedro Luque (“The Society of the Snow”)

Guess Rourich (“Un Amor”)

Diego Trenas (“Una noche con Adela”) 

BEST EDITING

Raúl Barreras (“20,000 Species of Bees”)

Ascen Marchena (“Shut Your Eyes”)

Andrés Gil, Jaume Martí (“The Society of the Snow”)

Fátima de los Santos (“Mamacruz”)

Fernando Franco (“Robotic Objectives”) 

BEST ART DIRECTION

Izaskun Urkijo (“20,000 Species of Bees”)

Curru Garabal (“Shut Your Eyes”)

Carlos Conti (“La contadora de películas”)

Alain Bainée (“The Society of The Snow”)

Marc Pou (“Jokes & Cigarettes”) 

BEST COSTUME DESIGN

Nerea Torrijos (“20,000 Species of Bees”)

Maria Armengol (“The Teacher Who Promised the Sea”)

Mercè Paloma (“La contadora de películas”)

Julio Suárez (“The Society of The Snow”)

Lala Huete (“Jokes & Cigarettes”) 

BEST MAKEUP AND HAIR DESIGN

Ainhoa Eskisabel, Jone Gabarain (“20,000 Species of Bees”)

Ana López-Puigcerver, Belén López-Puigcerver, Montse Ribé, (“The Society of the Snow”)

Eli Adánez, Juan Begara (“La ternura”)

Caitlin Acheson, Benjamín Pérez, Nacho Díaz (“Jokes & Cigarettes”)

Sarai Rodríguez, Noé Montes, Óscar del Monte (“Valle de sombras”) 

BEST SOUND

Eva Valiño, Koldo Corella, Xanti Salvador (“20,000 Species of Bees”)

Tamara Arévalo, Fabiola Ordoyo, Yasmina Praderas (“Championext”)

Iván Marín, Juan Ferro, Candela Palencia (“Shut Your Eyes”)

Jorge Adrados, Oriol Tarragó, Marc Orts (“The Society of the Snow”)

Xavi Mas, Eduardo Castro, Yasmina Praderas (“Jokes & Cigarettes”) 

BEST SPECIAL EFFECTS

Mariano García Marty, Jon Serrano, David Heras, Fran Belda, Indira Martín (“20,000 Species of Bees”)

Eneritz Zapiain, Iñaki Gil “Ketxu” (“La ermita”)

Pau Costa, Félix Bergés, Laura Pedro (“The Society of the Snow”)

Mariano García Marty, Jon Serrano, Juan Ventura, Amparo Martínez (“Tin & Tina”)

Raúl Romanillos, Míriam Piquer (“Valle de sombras”) 

BEST LIVE-ACTION SHORT FILM

“Aunque es de noche,” (Guillermo García López)

“Carta a mi madre para mi hijo,” (Carla Simón)

“Cuentas divinas,” (Eulàlia Ramon)

“La loca y el feminista,” (Sandra Gallego)

“París 70,” (Dani Feixas) 

BEST DOCUMENTARY SHORT FILM

“Ava,” (Mabel Lozano)

“BLOW!.” (Neus Ballús)

“El bus,” (Sandra Reina)

“Herederas,” (Silvia Venegas Venegas)

“Una terapia de mierda,” (Javier Polo) 

BEST ANIMATED SHORT FILM

“Becarias,” (Marina Cortón, Marina Donderis, Núria Poveda)

“To Chook or To not Chook,” (Martín Romero)

“Todo bien,” (Diana Acién Manzorro)

“Todo está perdido,” (Carla Pereira, Juanfran Jacinto)

“Txotxongiloa,” Sonia Estévez)

ENDS